REVIEW: Maniacal third act makes ‘Malignant’ worth watching

“Malignant” may not be the scariest movie of the year, or of the past few years, but what it leads up to certainly makes it a memorable horror experience.

The flick follows the story of Madison (Annabelle Walis), a woman with an unclear past who lives in Seattle with her Husband. It’s clear from the get-go that their marriage is strained and the film opens with them having a fight.

That night, Madison’s husband is murdered and she has a vision of it happening. From that day on, more murders begin taking place and each time Madison has horrible visions of it taking place. As this happens, Madison begins to dig more into her past to see what the connection is.

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REVIEW: Poor ending negates potential of ‘Night House’

There are some movies where the execution of an ending can be so integral that it can make or break the feature.

That’s the case with “The Night House,” and not in a good way.

Rebecca Hall plays Beth in this thriller, a high school teacher who recently lost her husband to suicide. Beth is trying to move on from the tragedy, but she continues to reside at the home her husband, Owen (Evan Jonigkeit), built on the lake, which leaves her with constant reminders.

Those reminders begin to manifest as visions for Beth, who begins to see frightening things related to her late husband in the midnight hours. Because of what she sees in the night, she begins looking into whether her husband had a secret life or not.

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REVIEW: Compelling and creepy ‘Candyman’ is a success

Sometimes, modern horror sequels to older properties can be massive disappointments, such as 2013’s “Texas Chainsaw.”

Fortunately, that’s not the case with the new “Candyman,” penned by Jordan Peele.

This film serves as a sequel to the original “Candyman” from 1992. This time around, the protagonist is Anthony McCoy (Yahya Abdul-Mateen II), an artist living in Chicago with his girlfriend Brianna (Teyonah Parris). Finding himself in artist block territory lately, McCoy decides to visit a northern Chicago housing project for inspiration.

While there, he meets a local named William (Colman Domingo), who tells McCoy the legend of the Candyman spirit. The legend ends up being a spark for McCoy who begins making art based on Candyman. However, his spark of creativity ends up reigniting the old Candyman spirit itself.

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REVIEW: ‘Old’ is a middling Shyamalan offering

M. Night Shyamalan is back with another thriller, this time based on a graphic novel.

“Old” is Shyamalan’s adaptation of the novel “Sandcastle.” The film follows several people who’re together on a private beach owned by a resort on a tropical island.

While the cast is large, the movie mainly centers on one family, consisting of Guy (Gael Garcia Bernal), his wife Prisca (Vicky Krieps), and their children Trent (Alex Wolff) and Maddox (Thomasin McKenzie). At first, it seems to be a relaxing getaway, but things turn south fast. After a series of events, the group learns that the area they’re at makes people age at an accelerated rate.

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REVIEW: ‘Till Death’ delivers with superb suspense

Director S.K. Dale makes his feature film debut with “Till Death,” and it’s a great first effort.

Megan Fox stars as Emma in “Till Death,” a woman whose marriage to her husband Mark (Eoin Macken) has been deteriorating. On their anniversary, though, it seems like Mark wants to patch things up. Unfortunately, the morning after, it turns out not to be the case.

Mark handcuffs himself to Emma and because of skeletons in his closet, shoots himself. It turns out this is the first part of a larger revenge plot against Emma for an affair. Now, Emma must survive against two hired men trying to get Mark’s fortune, one of whom she knows from an incident in her past.

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REVIEW: ‘Quiet Place’ sequel suffers from poor character decisions

“The Purge” is a great example of kids screwing things up in the middle of a tense situation. Another example is “28 Weeks Later.” The latest example is “A Quiet Place II.”

After a brief opening scene showing the first day of the alien attack, this sequel picks up immediately after the events of the original 2018 film. With their home in tatters, Evelyn (Emily Blunt) and her newborn baby, as well as her school-age children Regan (Millicent Simmonds) and Marcus (Noah Jupe), are forced to venture out for a new shelter.

Along the way they meet an old friend from their destroyed town, Emmett (Cillian Murphy), though he’s reluctant to help. With the knowledge that her hearing aid is useful against the aliens, though, Regan has a drive in her to find a way to spread the word.

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REVIEW ‘The Woman in the Window’ has too many story woes

This is a film with some good ideas and a strong cast, but unfortunately, it all came together in total mess.

Amy Adams stars in the film as Anna Fox, a child counselor who lives with agoraphobia, something she’s dealt with since a traumatic event took place. She lives most days secluded in her apartment but one day notices a new family moving into the flat across the road. Eventually, she meets the matriarch of the family, Jane (Julianne Moore), and the two have an afternoon with a bit of bonding.

A short time later, Anna sees Jane appearing to be murdered. She calls the police but the detectives and the husband from the new family, Alistair (Gary Oldman) approach Anna telling her she’s wrong. They then bring out another woman who say’s she’s Jane (Jennifer Leigh). With that new information, Anna begins searching through details to determine if she saw what she saw.

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REVIEW: ‘Black Bear’ is a fascinating breach into the creative mind

To be honest, Aubrey Plaza really upstaged the bear in this movie.

In all seriousness, Plaza is the star of “Black Bear,” a film directed by Lawrence Michael Levine. Plaza portrays Allison, an actress-turned-director who’s staying at a lake house to escape the world and get some work done on a new project.

While she’s there, she meets the owners of the home, Blair (Sarah Gadon) and Gabe (Christopher Abbott). Her stay over the course of the picture goes through dramatic twists and turns that explore elements of a creative mind.

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REVIEW: ‘Run’ is a fantastic rush of suspense

Don’t get on Sarah Paulson’s bad side. That’s one lesson to take away from this movie.

In this film, Paulson plays Diane Sherman, a single mother who’s been raising her daughter Chloe on her own. Chloe (Kiera Allen) is wheelchair bound and has several diseases, requiring a lot of medication.

Chloe is a teen anticipating college, and she’s really excited to get accepted to a university. However, as the film gets underway, Chloe begins to notice her mother is hiding things.

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REVIEW: ‘Shortcut’ isn’t a satisfying horror genre entry

There’s no need to take a shortcut to the theater for “Shortcut,” because it’s not worth seeing at a cinema.

This thriller follows a group of teenage students riding on a bus in a rural area of the United Kingdom. Unfortunately the audience doesn’t get much background on the group, there are only five students which is odd for a field trip. Regardless, this is our crew of protagonists.

Things take a turn for the worse when the bus has to take a back road and, while stopping to move an obstacle out of the way, a criminal with a revolver comes aboard and holds the driver at gunpoint. That’s not the end of the main characters’ problems, though, as the eerie area they’re driving through also seems to be home to an evil creature.

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