After this movie, you’ll never look at googly eyes the same way again.
This film stars Michelle Yeoh as a woman, Evelyn, who owns and operates a laundromat with her husband, Waymond (Jonathan Ke Quan). Their marriage has become strained, though, and she doesn’t have the best relationship with her daughter, Joy (Stephanie Hsu), either. On top of her family matters, Evelyn also has to deal with an audit into the laundromat by the IRS.
At a meeting with an IRS employee, Evelyn is contacted by different version of her husband from another universe who informs her that she may be the only being in the multi-verse who can prevent a calamity. To do so, Evelyn will have to tap into abilities from other versions of herself from alternate universes.
Continue reading “REVIEW: ‘Everything Everywhere All At Once’ is excellent”
There’s a cat in this movie named “Fuzz Aldrin.” I’m not saying that alone made the movie good, but it didn’t hurt.
Patrick Wilson plays Brian Harper in “Moonfall.” Once a decorated astronaut, the film picks up with Harper falling from grace as he appears to be responsible for a disaster in space. Harper attributes the calamity to a mysterious swarm of particles, but the heads of NASA don’t believe his story. That begins to change, though, when the Earth’s Moon moves off its course and on a crash trajectory with the planet, seemingly caused by the same swarm.
A man who predicted this would develop is KC Houseman (John Bradley), an unofficial scientist who’s been theorizing about the Moon for quite some time. Houseman and Harper eventually get into contact and decide that they need to take action, and they move forward in doing so with the help of Harper’s old colleague Jocinda Fowler (Halle Berry), who’s now a higher-up at NASA.
Continue reading “REVIEW: Despite making a mockery of science, ‘Moonfall’ entertains”
Birth, life and death was the course of the original “Matrix” trilogy, so a “Resurrection” nearly 20 years later is a logical step.
Familiar faces return in the latest “Matrix” feature, including the series hero Neo (Keanu Reeves), although now he appears to be living a normal life as Thomas Anderson in a regular office job. The audience soon learns, through a few new characters, that Neo is actually back in a version of the Matrix.
It turns out some events happened in the real world since the end of the third film, “Matrix Revolutions,” which resulted in the Matrix system continuing on in a new capacity. The film follows how the new characters interact with Neo and begin showing him his past, which results in him wanting a different future.
Continue reading “REVIEW: Meta-filled ‘Matrix’ sequel stumbles despite good ideas”
“Titane” is the French term for “titanium,” one of the strongest metals on Earth.
With that in consideration, the title “Titane” makes sense, as metal and strength are often tied to masculinity, which plays a major role in this feature.
The main character of the movie is Alexia (Agathe Rousselle), a young woman who works as an exotic dancer at a car show. Alexia seems mostly closed off, and has been so since she was a young girl, when a serious car accident resulted in her needing metal plates inserted.
As the first act reveals, though, Alexia has a dark hobby outside of her main dancing, job. This aspect of her life, as well as a sexual encounter she has one night after work, forces her to make a major change in her life, to the point where she has to assume a different identity. However, this action only leads to more complications.
Continue reading “REVIEW: Quality is clear in ‘Titane’ but enjoyment can be modest”
This marks the second time the book “Dune” has been adapted into a feature film, with the first attempt coming out in 1984.
Having never heard of either the book or the 84 movie, I walked into this experience with a fresh perspective.
The film’s main character is Paul (Timothee Chalamet), a young man who’s heir to the throne of House Atreides. The house is one of several noble families who control planets and hold most of the power in the cosmos, second only to an unseen emperor.
The film opens with House Atreides, under the leadership of Duke Leto (Oscar Isaac), preparing to take control of the planet Arrakis, which was previously ruled by the rival House Harkonnen. The planet is one giant desert with dangerous conditions and even more dangerous inhabitants.
It’s not just the Arrakis inhabitants Atreies has to worry about, though, as there are other forces working against the house, too.
Continue reading “REVIEW: Underneath the sheen of great visuals, ‘Dune’ is a dull experience”
Sometimes you come across a movie where you ask “what the hell did I just watch?” when it gets done.
“The Tomorrow War” is one of those flicks.
The movie follows Dan Forester (Chris Pratt), a family man and retired soldier-turned school teacher in the year 2022. The story starts when the family watches a group of soldiers walk out of a portal on live TV. The soldiers inform those watching at home like the Foresters that they’re from the year 2051 where a massive war is taking place against aliens, and it’s not going well.
In order to push back against this threat, humanity developed a time bridge back to 2022 in order to get more fighters. The present day leaders agree to start a draft to send soldiers to the future and Forester ends up getting sent back into combat.
Continue reading “REVIEW: ‘The Tomorrow War’ weakened by convoluted concept”
During my viewing of “Bliss,” I was starting to have flashbacks of 2019’s “Serenity,” another January release. At the very least, “Bliss” is better than that feature, but only slightly so.
Owen Wilson plays Greg in “Bliss,” a man who seems to be lost in thoughts of a dream home while at work. Unfortunately, his lack of attention ends with him being fired from his position. Not long after, he finds himself in a bar with Isabel (Salma Hayek), a woman who informs him that she can manipulate reality around them.
She’s able to do this because, according to her, the world they’re living in isn’t actually a real one. Basically, Isabel says the simulation theory is real and what she and Greg are in is an artificial reality. With this new information, Greg begins being pulled in two directions, and has difficulty in determining what’s real and what’s not.
Continue reading “REVIEW: ‘Bliss’ breaks down due to story, pacing issues”
Late night talk radio about UFOs is always a good time, so much so that the late host Art Bell made a career out of it with his show “Coast to Coast AM.”
That concept can now be enjoyed in movie form, too, thanks to this enjoyable indie thriller.
“The Vast of Night” takes place in a small New Mexico town in the 1950s and centers on two characters. One is Fay (Sierra McCormick), a switchboard phone operator, and the other is Everett (Jake Horowitz), a radio station DJ. Both teens are working the night of a big basketball game, so the town is rather quiet. As she’s connecting phone lines, though, Fay hears a frantic caller, and later a strange sound coming through the system.
Continue reading “REVIEW: ‘The Vast of Night’ is a stirring film about radio worth tuning in for”
No Dark Universe, no problem.
After the shared cinematic universe idea for Universal’s famous movie monsters crashed, plans were reworked to have more independent, individual films. The first one up is “The Invisible Man,” written and directed by Leigh Whannell. The movie stars Elisabeth Moss as Cecilia, a woman who just left her abusive boyfriend.
Cecilia is shaken from the relationship and is left with anxiety, fearing that her ex, Adrian, (Oliver Jackson-Cohen) will come after her. However, she soon learns that Adrian has supposedly committed suicide. Just as she begins trying to rebuild her life, though, Cecilia begins to feel stalked and terrorized by an unseen force, which she believes is Adrian.
Continue reading “REVIEW: Moss, special effects boost ‘Invisible Man’”
A person can say a lot about the “Star Wars” prequels. They certainly had their fair share of flaws. However, at the very least, it was a trilogy that had a clear blueprint for where it was supposed to go.
That, unfortunately, didn’t seem to be the case with this sequel trilogy.
“Rise of Skywalker” is the ninth film in the main “Star Wars” story, and 11th overall when including the spin-off features. Right from the opening crawl, viewers learn that Emperor Palpatine (Ian McDiarmid) survived the second Death Star’s destruction, has actually been pulling all the strings with the First Order and has (somehow) built like 90 new Star Destroyers that have planet killing cannons.
In response, a rather depleted resistance force explore their options to fight back. They determine the best course of action is to find out where Palpatine’s fleet is and launch an attack with help from across the galaxy. To find out the location, the new Jedi Rey (Daisy Ridley), former storm trooper-turned resistance warrior Finn (John Boyega) and ace pilot Poe (Oscar Isaac) begin a search for a dark side Sith artifact.
Continue reading “REVIEW: Final ‘Star Wars’ falls, rather than rises”