No Dark Universe, no problem.
After the shared cinematic universe idea for Universal’s famous movie monsters crashed, plans were reworked to have more independent, individual films. The first one up is “The Invisible Man,” written and directed by Leigh Whannell. The movie stars Elisabeth Moss as Cecilia, a woman who just left her abusive boyfriend.
Cecilia is shaken from the relationship and is left with anxiety, fearing that her ex, Adrian, (Oliver Jackson-Cohen) will come after her. However, she soon learns that Adrian has supposedly committed suicide. Just as she begins trying to rebuild her life, though, Cecilia begins to feel stalked and terrorized by an unseen force, which she believes is Adrian.
Continue reading “REVIEW: Moss, special effects boost ‘Invisible Man’”
A person can say a lot about the “Star Wars” prequels. They certainly had their fair share of flaws. However, at the very least, it was a trilogy that had a clear blueprint for where it was supposed to go.
That, unfortunately, didn’t seem to be the case with this sequel trilogy.
“Rise of Skywalker” is the ninth film in the main “Star Wars” story, and 11th overall when including the spin-off features. Right from the opening crawl, viewers learn that Emperor Palpatine (Ian McDiarmid) survived the second Death Star’s destruction, has actually been pulling all the strings with the First Order and has (somehow) built like 90 new Star Destroyers that have planet killing cannons.
In response, a rather depleted resistance force explore their options to fight back. They determine the best course of action is to find out where Palpatine’s fleet is and launch an attack with help from across the galaxy. To find out the location, the new Jedi Rey (Daisy Ridley), former storm trooper-turned resistance warrior Finn (John Boyega) and ace pilot Poe (Oscar Isaac) begin a search for a dark side Sith artifact.
Continue reading “REVIEW: Final ‘Star Wars’ falls, rather than rises”
This is a series called “Best of the Decade.” It’s a list including 10 movies that I found to be the best in a specific genre from 2010-2019.
Whether films were part of established franchises or simply stand alone features, this past decade was pretty darn good for sci-fi. Here are some of my favorites from the past 10 years.
Continue reading “Best of the Decade: Sci-Fi”
So this is a “Terminator” film where a person or machine from the future has to fight off a far more deadly machine also from the future in order to protect someone.
This time around, the movie is more focused on a new character, rather than Connor family like previous installments. Dani Ramos (Natalia Reyes) is the main protagonist in “Dark Fate” and is being hunted by a terminator. Because of the action taken by Sarah Connor in “Terminator 2,” though, the terminator hunting Dani is from an AI program in the future called Legion, rather than Skynet.
Continue reading “REVIEW: ‘Terminator: Dark Fate’ excels where it counts: the action”
Young Will Smith returns in “Gemini Man” but unfortunately, he hasn’t made a rap song to compliment his latest movie like he used to.
The movie stars Smith as Henry Brogan, an aging government operative and assassin who’s looking to retire from his career in combat. His dreams of retirement are dashed, though, as he becomes a target by higher-ups just as he’s leaving the business. An attempt on his life forces him to go on the run, with the help of another government agent named Danny (Mary Elizabeth Winstead).
The problem though, is the person they sent after Brogan is exceptionally skilled and is also relentless. On top of being a force to be reckoned with, though, Brogan soon learns that the one hunting him is actually a younger clone of himself.
Continue reading “REVIEW: Technically ambitious ‘Gemini Man’ fails in other areas”