REVIEW: Spielberg’s ‘West Side Story’ doesn’t sizzle like its 60s counterpart

Tonight… Tonight… I’m rather disappointed tonight.

Because I didn’t enjoy this “West Side Story” adaptation as much as I hoped I would.

Directed by Steven Spielberg, this marks the second time the 1957 musical was adapted for the screen, the first released in 1961. In the film, there are two gangs in New York City the film revolves around, the Jets and the Sharks, the latter made up of Puerto Rican immigrants. Tensions have already been high between the two, but their battles appear ready to reach an even higher level of violence.

Before that takes place, though, both gangs end up at a dance. There, a former member of the Jets, Tony (Ansel Elgort), meets Maria (Rachel Zegler), the younger sister of the Sharks leader. While the two fall in love, their relationship only complicates the situation between the two groups.

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REVIEW: ‘Mitchells Vs The Machines’ never rises above mediocre

This movie and the new “Matrix” in a few weeks is only reinforcing my concern about a robot uprising.

As the title implies, this movie is about a family, named the Mitchells, taking on evil bots. While the whole family is included, though, the main focus is on Katie (Abbi Jacobson), a teen who’s preparing to go to college in California to study film. Her academic path has put her at odds with her dad Rick (Danny McBride), though, who’s never been interested in technology and enjoys the outdoors much more.

Knowing that he has one last chance to connect with his daughter before she leaves for school, Rick decides to take Katie, as well as his son Aaron (Michael Rianda) and wife Linda (Maya Rudolph) on a college move-in road trip. Unfortunately, their journey is interrupted by the robots who’re in the midst of a global takeover because of an A.I. gone bad.

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REVIEW: Despite star power, Netflix’s ‘Red Notice’ is a dud

Film is an interesting medium. Movies can be both an amazing piece of art and a product to make profit.

Sometimes, though, a movie feels too much like it’s just a product, and that’s how “Red Notice” comes across.

In this new Netflix movie, Dwayne Johnson stars as John Hartley, an FBI agent who’s working with Interpol to arrest one of the best art thieves in the world, Nolan Booth (Ryan Reynolds). Nolan’s latest target to steal is a rare Egyptian artifact, as only three of its kind exist in the world.

After a chase, both Nolan and John get set up by another art thief, who goes by The Bishop (Gal Gadot). Both are sent to prison, as John has been framed as an accomplice, and now must work together to take down Bishop and, potentially, get the Egyptian artifact in the process.

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REVIEW: ‘Power of the Dog’ is a well crafted character study that digs deep

The concept of masculinity is explored and deconstructed in this new Netflix feature, set where the prairies meet the Rocky Mountains.

“Power of the Dog,” directed by Jane Campion, takes place during the 1920s in Montana. Benedict Cumberbatch stars as Phil Burbank in the film, a tough cattle rancher with a rough personality.

While Phil seems mystified by the life of a rancher in the western side of the nation, his brother George (Jesse Plemons) is less fascinated by the cowboy career and has ambitions of settling down. He does just that when he meets and later marries a restaurant owner named Rose (Kirsten Dunst). The film then follows how Phil often finds himself at odds with the rest of his family.

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REVIEW: ‘Tick, Tick… Boom’ is an enjoyable, touching tribute

The legacy of late composer Jonathan Larson is honored in this new Netflix feature, based on his own autobiographical musical, “Tick, Tick… Boom.”

Andrew Garfield stars as Larson in the movie, directed by Lin-Manuel Miranda. The film has a framing device of Larson of performing “Tick, Tick… Boom” as a one man show, where he tells the story of himself in 1990, struggling to get a new production off the ground.

That production is “Superbia,” and the story Larson tells includes details about how he worked at a small diner, his strained relationships because of his focus on his work and how he grieved for friends he lost to the AIDS epidemic.

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REVIEW: Disney’s ‘Encanto’ is mostly average

“Encanto” invites audiences to spend time at a home where residents have various super powers.

It’s like a less intense version of Xavier’s School for Gifted Youngsters.

Mirabel (Stephanie Beatriz) is the main character in “Encanto,” and also happens to be the one member of her family without powers, making her the odd one out. For generations, her family has been gifted with powers, allowing them to create a safe, comfortable community in Columbia.

In most cases, Mirabel is overshadowed in her family, especially by her older sisters Luisa (Jessica Darrow) and Isabela (Diane Guerrero). However, she uncovers an issue with the source of her family’s magic and becomes the one person determined to set things right, even without powers.

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REVIEW: ‘House of Gucci’ grabs a viewers’ attention, despite flaws

Al Pacino hasn’t been in a family this intense since the Corleones.

“House of Gucci” follows the famous fashion family from the late 70s until the dynasty fell apart in the mid-90s. The movie’s main focus is on Patrizia (Lady Gaga), a woman who in 1978 met and married one of the Gucci heirs, Maurizio (Adam Driver).

From there, the movie follows how the two maneuvered to gain more power in the family. Their efforts to do so put them in conflict with other members of the family, and eventually, each other.

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REVIEW: There’s nothing sweet about ‘Home Sweet Home Alone’

I’d rather watch “Jingle All the Way.”

Pam (Ellie Kemper) and Jeff (Rob Delaney) are a married couple facing some adversity during the Christmas season. Jeff is between jobs and it means they may have to sell their house, a home they both love. Their financial issues have a potential solution, though, as they have an antique which could sell for a lot of money.

However, during a chance encounter, they believe the antique fell into the hands of a kid named Max (Archie Yates). Around the same time, it turns out Max has been left home alone, with his family leaving for vacation. While it seems great at first, Max becomes worried when Pam and Jeff start snooping around, as the couple has hopes to get the antique back.

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REVIEW: ‘King Richard’ can please crowds but could have been more

The Prince of Bel-Air has ascended to a higher monarch level, now having the title of king.

Will Smith is Richard Williams in this new sports drama, the father of tennis greats Venus (Saniyya Sidney) and Serena Williams (Demi Singleton) who had the nickname of King Richard in Compton, Calif. The film begins with Richard helping his daughters with tennis practices, and making an effort to find them a professional coach, as he knows their potential.

From there, the movie follows how Richard worked to advance his daughters’ talents, while also halting their careers from advancing too fast. The movie also explores how Richard got along with Venus’ coaches and his marriage with Oracene Williams (Aunjanue Ellis).

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REVIEW: Lead performance and fun adventure push ‘Afterlife’ above average

Unlike the 2016 “Ghostbusters,” which was a reboot, this latest film serves as a direct sequel, set decades after the events of the 1989 picture.

The movie introduces viewers to Callie (Carrie Coon), the daughter of Dr. Egon Spengler, and her two children, Phoebe (Mckenna Grace) and Trevor (Finn Wolfhard). At the movie’s outset, Dr. Spengler passes away and the death notice is sent to Callie. After the update, Callie and her kids travel to rural Oklahoma, where Spengler left a farmstead to his family.

Upon arrival, Callie and Trevor are mostly unimpressed by the small town and rundown house. However, Phoebe, who’s interested in science, begins finding Ghostbuster equipment and her interest is piqued even more as there are several abnormal earthquakes in the area. To investigate what’s going on, Phoebe teams up with one of her classmates, who simply goes by “Podcast” because he produces one (Logan Kim).

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