Pixar has another great movie on its resume.
The latest film from the Disney-owned studio takes place in and around a small town on the Italian Riviera. The titular character, voiced by Jacob Tremblay, is a young humanoid sea creature who lives beneath the waves with his mother (Maya Rudolph), father (Jim Gaffigan) and grandma (Sandy Martin). The family has a strict rule about not visiting the surface, as humans have been known to be dangerous, but Luca is fascinated by the world above.
At the film’s start, Luca is given a chance to explore the Italian turf when he meets another “sea monster,” Alberto (Jack Dylan Grazer). The duo become fast friends and, with growing frustration toward his parents’ rules, Luca decides to travel to the Italian village with Alberto, in human disguise. There, they become friends with a girl named Giulia (Emma Berman), who wants to enter a local triathlon.
Continue reading “REVIEW: Pixar’s ‘Luca’ is a winner”
Pete Docter is no stranger to emotional animated features, having directed “Up” and “Inside Out.” He makes another attempt at one in his latest picture, “Soul.”
Jamie Foxx voices Joe in “Soul,” a middle-aged jazz artist and part-time music teacher. One day as he’s about to get a gig he’s been waiting for, he accidentally falls down a manhole. As a result, Joe has an out-of-body experience where his soul travels to a gateway to what’s called the Great Beyond.
Opting not to go, he instead takes another path. There he ends up in the Great Before, where souls form before going to Earth. Not long after his arrival, he meets a stubborn soul named 22 (Tina Fey), who doesn’t find Earth too appealing. The two end up having to work together as the plot develops, though.
Continue reading “REVIEW: ‘Soul’ is mostly a sour experience”
This movie is all about magic, but doesn’t necessarily have that Pixar magic.
Tom Holland voices Ian in “Onward,” a young elf living in a world that, despite fantasy and magic elements existing, has become like our own modern society. A high schooler, Ian lives with his mom Laurel (Julia Louis-Dreyfus) and his older brother Barley (Chris Pratt) who hasn’t exactly found his way in life.
Ian’s father Wilden passed away before he was born, something that weighs heavily on him. When he turns 16, though, he receives a staff for his birthday and finds a spell to bring back his dad for one day. He starts the spell, but is only able to bring his dad’s legs back. Knowing they only have a day, Ian and Barley decide to go on a quest to find a way to complete the spell.
Continue reading “REVIEW: ‘Onward’ offers a dull quest”
This is a series called “Best of the Decade.” It’s a list including 10 movies that I found to be the best in a specific genre from 2010-2019.
A Disney resurgence and solid work from other studios meant that the past 10 years had a lot to offer when it came to animated features. Here are my favorites. Also I’m doing 11 for this because this is my list and I’ll do what I want with it.
Continue reading “Best of the Decade: Animation”
The Mouse House dominated the headlines in the film industry Saturday as its D23 Expo event continued. Disney, which owns the rights to Pixar, LucasFilm and Marvel Studios unveiled several upcoming projects and showed off highlights from pictures soon to be released.
Continue reading “SPECIAL Movie Report: Recapping 2019 D23”
I’ll admit, when I first heard a new “Toy Story” was in production, I was skeptical, considering “Toy Story 3” was such a solid end to the trilogy. Fortunately, Pixar did some solid work with this fourth feature.
The latest film picks up seemingly not too long after the end of part three. The original gang, for example, have adapted pretty well to life with Bonnie’s other toys. That is, except for Woody (Tom Hanks). Woody appears to be involved less and less in times of play, and as a result, is getting little anxious.
However, when Bonnie creates a new toy from some materials, mainly a spork, named Forky (Tony Hale), Woody finds some purpose. Forky appears to be confused, thinking himself more akin to trash than a toy, but Woody is set on protecting him and keeping him around, as Forky has become Bonnie’s favorite. The work gets more difficult, though, when during a family trip, Forky escapes in a small town near a carnival. Woody sets off on an adventure immediately to save Forky, and fortunately, he gets some help from the long lost Bo Peep (Annie Potts).
Continue reading “REVIEW: ‘Toy Story 4’ doesn’t fly like predecessors, but still falls with style”
“Incredibles 2” lives up to its name. It might not be as incredible as its predecessor, but it still does the trick.
So, this movie doesn’t just start directly after the first film, it begins during the end of the original. The film opens with the Parr family trying to take down the latest villain threat who goes by “the Underminer.” The Incredibles are eventually able to take down the villain’s giant drill machine, but not before it wrecks on much of the city where they live.
As a result of the destruction caused, superheroes are even more looked down upon than before and the family are forced even deeper into hiding. That is until they are approached by a sibling pair, Winston and Evelyn. The brother and sister duo run a mega corporation and decide that it’s time for supers to make a comeback. They opt to make a public campaign with Helen Parr (Holly Hunter) going back into crime fighting and putting on a good public face for supers while Bob (Craig Nelson) stays home and looks after the kids, Dash (Huck Milner), Violet (Sarah Vowell) and Jack-Jack.
Continue reading “REVIEW: ‘Incredibles 2’ retreads some old ground, but is still a great time”
Since the final scene of “The Incredibles” previewed more adventures for the Parr family, I’ve been asking, no, begging for a sequel.
After 14 years and in my view unnecessary sequels like “Cars 2,” Disney | Pixar is finally releasing “The Incredibles 2” in June. While I am looking forward to seeing it, though, I do have my reservations.
Continue reading “My conflicting excitement for ‘Incredibles 2’”
When it comes to musicals, Pixar has usually left the genre to its counterpart Disney Animation Studios. With its latest endeavor, though, Pixar has taken a page out of the Mouse House’s playbook, creating a musical experience with “Coco.”
Keep in mind, “Coco” isn’t a traditional animated musical. However, it’s a movie very much about music and includes numerous songs.
The movie’s protagonist is Miguel (Anthony Gonzalez), a boy who dreams of becoming a singer and guitarist like his idol, Ernesto de la Cruz (Benjamin Bratt). His family, though, is completely against music and musicians of any sort, finding it to be a curse on their family that began generations ago.
Continue reading “REVIEW: ‘Coco’ Works Thanks To Heartfelt Story About Family, Memorable Music”
The “Cars” universe has always confused the hell out of me and the latest entry is no exception. Like, why do the cars have doors and handles if there are no people? Why are there faster, more advanced cars? Are they built by other cars or is it cars evolving?
Those questions certainly came up with me from start to finish here, but the real important question is ‘was the movie any good?’
Well, not really, it more falls into the category of being just OK.
The movie once again follows the franchise’s protagonist Lightning McQueen (Owen Wilson). A car who’s won multiple racing championships, McQueen is still competing and remains confident in doing so. However, as he enters his latest race, he finds himself falling behind the younger cars that appear to be far more advanced.
As a result, McQueen is always playing catch-up and this ultimately leads to an accident where he gets severely injured. What follows is McQueen’s quest for redemption and to regain his status as one of the best racers in the world. To do so, McQueen eventually finds help in professional trainer Cruz Ramirez (Cristela Alonzo).
Continue reading “REVIEW: ‘Cars 3’ Ends The Series On A High Note, But Continues To Fall Behind The Rest Of Pixar”