The title “Gunpowder Milkshake” makes sense, because like the cold drink, it’s an enjoyable summer treat.
Karen Gillan stars as Sam in “Milkshake,” a young woman who works as an assassin for a mysterious agency known only as The Firm. The agency is helmed by a man named Nathan (Paul Giamatti), who sends Sam out on her assignments.
While her latest mission seems straightforward, though, it turns out to be anything but. Caught in a conflict between two violent faction related to Sam’s assignment is a young girl named Emily (Chloe Coleman). Sam decides to get involved and protect Emily, but it only complicates things as hitmen are sent after her. In response, she looks to get help from her past.
Continue reading “REVIEW: While flawed, ‘Gunpowder Milkshake’ gives audiences a fun experience”
Zack Snyder’s “Dawn of the Dead” from 2004 is one of the finest horror remakes.
His latest zombie genre attempt doesn’t reach that quality, unfortunately.
In “Army of the Dead,” an accident involving military vehicles driving away from Area 51 ends up unleashing a zombie plague on the city of Las Vegas. After an extensive effort to fight the threat, the city is eventually walled off and the zombies are contained.
A plan is ordered to hit the city with a nuclear strike and eliminate the threat. However, before that happens, a soldier named Scott (Dave Bautista) is tasked with entering the city and retrieving money from a safe by a rich businessman. Scott puts together a team of mercenaries to do so, with the promise of getting millions of dollars. However, he also agrees to take his daughter Kate (Ella Purnell) into the city as she’s looking for her lost friend.
Continue reading “REVIEW: ‘Army of the Dead’ is an exhausting zombie flick”
This is a film with some good ideas and a strong cast, but unfortunately, it all came together in total mess.
Amy Adams stars in the film as Anna Fox, a child counselor who lives with agoraphobia, something she’s dealt with since a traumatic event took place. She lives most days secluded in her apartment but one day notices a new family moving into the flat across the road. Eventually, she meets the matriarch of the family, Jane (Julianne Moore), and the two have an afternoon with a bit of bonding.
A short time later, Anna sees Jane appearing to be murdered. She calls the police but the detectives and the husband from the new family, Alistair (Gary Oldman) approach Anna telling her she’s wrong. They then bring out another woman who say’s she’s Jane (Jennifer Leigh). With that new information, Anna begins searching through details to determine if she saw what she saw.
Continue reading “REVIEW ‘The Woman in the Window’ has too many story woes”
Sometimes there are pieces of media that just try way too hard to be edgy. “I Care a Lot” definitely joins that club.
Rosamund Pike stars as Marla Grayson in “I Care a Lot,” a woman who’s made a career as a legal guardian for the elderly. As part of her job, Grayson will get a notice from a doctor she works with stating that an elderly person can no longer live on her own, which she brings to a court.
In turn, the court will then grant legal guardianship to Grayson, allowing her to determine the care for the elderly person, which results in her putting them in an assisted living facility. It also means she has access to the elderly individual’s finances. The latest individual she decides to get legal guardianship over, Jennifer Peterson (Diane Wiest), though, just happens to have a significant connection to Russian mob boss Roman Lunyov (Peter Dinklage).
Continue reading “REVIEW: ‘I Care a Lot’ crumbles due to poor writing”
The year 2020 hasn’t been my favorite for animation and unfortunately, “Over the Moon” hasn’t helped that case.
The picture, released on Netflix, tells the story of Fei Fei (Cathy Ang), a young girl who became fascinated by the Moon because of stories told by her late mother. At the film’s outset, following the death of her mother, Fei Fei is working with her father at their small pastry company.
Life seems to be carrying on for the family, but the pain of loss still lingers for Fei Fei. That pain is reinforced when her father begins spending time with a woman, Ms. Zhong (Sandra Oh), as the Moon Festival approaches. Eventually, she learns that her father plans to marry Ms Zhong, and as a result, she will likely be getting an annoying step brother in the deal.
Hoping to fix the situation, she builds a craft capable of reaching the moon to speak with an ancient being who resides there. The plan goes a little haywire, though, when it turns out her step-brother-to-be, Chin (Robert Chiu), tagged along for the ride.
Continue reading “REVIEW: Character issues make ‘Over the Moon’ a misfire”
Zendaya and John David Washington do verbal battle in this new romantic drama on Netflix.
Washington stars as the titular Malcolm in this feature, a director who’s just coming home from the premiere of his first big movie. After getting home, with his girlfriend Marie (Zendaya), Malcolm begins talking about how his movie will be interpreted by the public as well as his thoughts and feelings about being a filmmaker.
As Malcolm continues, Marie interjects into the conversation, and the two begin talking about the film and its influences. Eventually, the talking turns to debating and as a result, their relationship is explored, along with their backgrounds.
Continue reading “REVIEW: Repetitive dialogue makes ‘Malcolm and Marie’ mediocre”
Sometimes, a person’s life can fall to pieces. That’s certainly the case here, so the title is appropriate.
Vanessa Kirby plays Martha in “Pieces of a Woman,” a new movie now streaming on Netflix. The movie opens with Martha going into labor, with her partner Sean (Shia LaBeouf) at her side. Instead of going to a hospital, the two have opted to hire a midwife and deliver the baby at home.
Sadly, shortly after the birth, there are complications and their baby dies. The film then explores how the two, especially Martha, go through the grieving process and deal with the aftermath, which ranges from legal action against the midwife to uncomfortable conversations with family members about the situation.
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Netflix’s latest picture takes audiences back to the Roaring 20s with a Blues tale based on a play.
Viola Davis plays the titular character here, who was a real life singer. Gertrude “Ma” Rainey was a woman with several hits during the 1920s, including “Black Bottom.”
This movie picks up with her and her band visiting a Chicago office to record that song and others for an album. The movie follows Ma’s experiences, and her band members’, such as Levee (Chadwick Boseman) as the recording session goes on.
Continue reading “REVIEW: ‘Ma Rainey’s story doesn’t translate well to Netflix”
For the second year in a row James Corden is starring in a musical during the holiday season. This time, though, he has less fur.
Corden is one of four actors portraying Broadway performers in “The Prom.” Corden plays Barry, who is joined by other theater performers Dee Dee (Meryl Streep), Angie (Nicole Kidman) and Trent (Andrew Rannells). At the movie’s outset, the four are somewhat down on their luck after receiving negative reviews for their latest show.
However, they soon find a way to get good press again by supporting a teenager in Indiana named Emma (Jo Ellen Pellman) who’s come out as a lesbian and has been met with resistance to attending her prom as a result. During their time there, though, the four become supportive of Emma more than just for their own needs.
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The foundation for what many consider to be one of the greatest films ever made is showcased in David Fincher’s latest project.
The Netflix film, titled “Mank,” tells the story of screenwriter Herman Mankiewicz (Gary Oldman). The movie picks up with Mankiewicz, who’s recovering from a leg injury suffered during a car accident, being hired to help write the movie “Citizen Kane” by Orson Welles (Tom Burke).
Mankiewicz, with the help of his secretary Rita (Lily Collins), manages to pen the script, despite a few hiccups along the way. As the movie shows him doing so, several flashbacks to Mankiewicz in the 30s are shown, displaying where the writer picked up his inspiration. Namely, the movie features several sequences where Mankiewicz interacted with William Randolph Hearst.
Continue reading “REVIEW: The movie magic in ‘Mank’ is good, not great”