REVIEW: Maniacal third act makes ‘Malignant’ worth watching

“Malignant” may not be the scariest movie of the year, or of the past few years, but what it leads up to certainly makes it a memorable horror experience.

The flick follows the story of Madison (Annabelle Walis), a woman with an unclear past who lives in Seattle with her Husband. It’s clear from the get-go that their marriage is strained and the film opens with them having a fight.

That night, Madison’s husband is murdered and she has a vision of it happening. From that day on, more murders begin taking place and each time Madison has horrible visions of it taking place. As this happens, Madison begins to dig more into her past to see what the connection is.

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REVIEW: ‘The Little Things’ has little to offer the detective genre

Denzel Washington is once again doing detective work in California but this time, it’s not a training day.

Washington plays Joe Deacon, who casually goes by Deke. A former detective, Deke now works as a sheriff deputy with a normal beat. He mostly stays in his own lane, but at the movie’s start, he’s brought in to give some experienced advice on a new murder case.

The case is being primarily helmed by Jim Baxter (Rami Malek), a young detective who’s already making a name for himself as a talented inspector. While the two are at first not thrilled about working together, they eventually decide they can figure this puzzle out better by working side-by-side. The film explores them doing so and also begins revealing why Deke made a career change.

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REVIEW: ‘Enola Holmes’ fails to entertain

Sherlock seems to always gets the spotlight in the Holmes family. This time, though, it’s shared with his siblings.

The result? It’s mixed.

The titular character in this film, played by Millie Bobby Brown, is the younger sister of the famous detective Sherlock (Henry Cavill). Enola, a teenager, has grown up in the countryside with her mother Eudoria (Helena Bonham Carter). However, one morning Enola wakes up and her mother is missing.

In response, Enola’s brothers Sherlock and Mycroft (Sam Claflin) are called in to investigate the situation and look after her. Deciding she can manage on her own, though, Enola decides to go to London and figure out the situation by herself. During her trip to London, Enola meets Tewkesbury (Louis Partridge), who’s dealing with his own family troubles.

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REVIEW: ‘You Should Have Left’ squanders potential

There are interesting concepts at play in “You Should Have Left,” but sadly, it doesn’t result in a great film.

Directed and written by David Koepp, “You Should Have Left” stars Kevin Bacon as Theo, a man who is planning to go on vacation with his wife Susanna (Amanda Seyfried) and her daughter Ella (Avery Essex). The vacation home they choose is a rather modern looking one in a rural area of Wales.

At first, it seems like the perfect spot to get away, with the house being spacious and the beautiful countryside out the window. However, as time goes on, details about Theo’s past and current relationship issues cause strain. On top of that, strange things start occurring in the seemingly perfect house.

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REVIEW: To its detriment, ‘Black Christmas’ is more concerned with themes than thrills

I wasn’t expecting any other movie this year to give “After” a run for its money as the worst film to be set on a college campus in 2019, but here we are.

This is the second time “Black Christmas” has been remade, with the other coming out in 2006 and the original having been released in the 1970s.

In this film, the main characters are college students and members of a sorority. The leads include Riley (Imogen Poots), Kris (Aleyse Shannon), Marty (Lily Donoghue) and Jesse (Brittany O’Grady). The four are preparing for the Christmas holiday, but Riley is struggling with her life after having been raped by a fraternity member. Making matters worse is the fact that her story wasn’t believed by law enforcement.

Riley’s Christmas season only goes downhill more, when she begins noticing disappearances on campus. Eventually, her and her friends learn that the female students on campus are being killed and they become the next target. As they try to survive, they also unravel what’s really going on and the truth has a connection to the school’s founding.

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REVIEW: ‘Detective Pikachu’ doesn’t have the most interesting case file

I was at one point a Poke-expert. I watched the never-ending anime, read any of the manga I could get my hands on, and of course played Pocket Monsters on my Gameboy, the Yellow-Pikachu edition.

So “Detective Pikachu” was a film where I was able to pick up a lot of what’s going on and enjoyed some of the Easter Eggs for fans thrown in here and there. However, the question of whether or not it’s a good movie is a whole other story.

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REVIEW: Inconsistent Tone Derails ‘Orient Express’

Kenneth Branagh directs and stars in this most recent adaptation of the 1934 Agatha Christie novel.

The film opens with the story’s protagonist, Hercule Poirot (Branagh) investigating a mystery in Jerusalem. After Poirot solves the mystery in quick, convincing fashion, he’s invited to ride on the luxurious Orient Express by his friend Buoc (Tom Bateman) to get a break from all the detective work.

While on board, Poirot meets a number of characters on the fully booked Orient Express, including a sneaky business man named Edward Ratchett (Johnny Depp). After a night where the train is halted because of a blocked railroad, Poirot discovers that Ratchett has been murdered. As a result, Poirot must now solve the murder and uncover clues about Ratchett and the other passengers.

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REVIEW: ‘Blade Runner’s’ Return Is Remarkable

There have been a lot of sequels lately that have revisited properties that were long left dormant, including “Jurassic World,” “Mad Max: Fury Road” and “Creed.” This sequel to the 80s cult classic “Blade Runner,” though, might be the best one yet.

The new “Blade Runner” takes place 30 years after the original, hence the title. Replicants, the bioengineered humans that were featured in the original, are once again present in the movie and this time more integrated into society. The main example of this is the movie’s protagonist, K (Ryan Gosling). K is a replicant who works for the Los Angeles Police Department and is tasked with hunting down older replicant models.

In his latest investigation, K discovers a clue that relates to events in the first film. As a result, K is sent down a rabbit hole where he finds out information that could change the entire world.

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REVIEW: ‘Wind River’ Works As Crime Drama And An Emotional Character Piece

Taylor Sheridan, who wrote two the great “Sicario” in 2015 and the superb “Hell or High Water” last year, returned to write a third movie and this time he directed, too.

The film is “Wind River” and the name is based on the Wind River Indian Reservation in Wyoming, where the picture takes place. The movie tells the story of Cory Lambert (Jeremy Renner), a tracker and hunter working for the Bureau of Land Management who comes across the body of a murdered woman on the reservation.

As a result, Lambert gets in contact with the Tribal Police Chief Ben (Graham Greene) who in turn gets assistance from an FBI agent named Jane (Elizabeth Olsen). As the three conduct the joint investigation, Lambert’s background is expanded upon and the audience learns that he lost a daughter and she was discovered similarly to the woman that he found.

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REVIEW: ‘The Circle’ Is A Directionless Waste Of Talented Performers

It’s always surprising and disappointing seeing a film squander a plethora of talent in its cast. “The Circle” is one of those types of movies.

The picture centers on a young woman named Mae (Emma Watson) who gets a job at the world’s leading computer technology/social networking company, the Circle. Headed by a pair by the names of Bailey (Tom Hanks) and Stenton (Patton Oswalt), the Circle operates at a massive facility that largely provides anything that a person could really want.

As Mae settles into her new role, though, she starts to notice some things that seem off. This thought process is only increased when she comes into contact with a lead developer named Ty (John Boyega), who informs her of some shady operations. At the same time, though, Mae also becomes a person of interest as she starts coming up with new ideas that actually benefit the company.

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