REVIEW: ‘Elvis’ is an exuberant, exhausting experience

Elvis Presley has been portrayed on the large and small screen many times before. However, none of them featured the flair of filmmaker Baz Luhrmann, until now.

The story of Elvis (Austin Butler) in this biopic is told from the perspective of the performer’s infamous manager, Col. Tom Parker (Tom Hanks). The movie begins with Parker on his deathbed and from there, the former manager recounts the events of his time with the singer, from when he discovered him to the performers final days in Las Vegas.

The movie showcases how Elvis’ popularity surged, his inspiration from African American musicians, his controversial stage movements and his attempt at a comeback after some down years. It also features the decline of his health during his time doing several shows in Vegas.

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REVIEW: ‘Cyrano’ is a sensational musical

Peter Dinklage should’ve been an Oscar contender.

Based on a 2018 stage musical, which itself was based on the 1897 play “Cyrano de Bergerac,” the film “Cyrano” tells the story of the titular character portrayed by Dinklage. Cyrano is a writer, poet, performer and even a cunning swordsman. Despite his talents, though, he can’t bring himself to confess his love for his friend from childhood, Roxanne (Haley Bennett). This is because of his own self doubt related to his appearance.

His complicated romantic situation is only compounded when Roxanne, who’s expected to marry the duke De Guiche (Ben Mendelsohn), announces her love for a soldier named Christian (Kelvin Harrison Jr.). Wanting to make his love happy, Cyrano decides to help Christian write letters to Roxanne, as the solider is also in love with her.

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REVIEW: Spielberg’s ‘West Side Story’ doesn’t sizzle like its 60s counterpart

Tonight… Tonight… I’m rather disappointed tonight.

Because I didn’t enjoy this “West Side Story” adaptation as much as I hoped I would.

Directed by Steven Spielberg, this marks the second time the 1957 musical was adapted for the screen, the first released in 1961. In the film, there are two gangs in New York City the film revolves around, the Jets and the Sharks, the latter made up of Puerto Rican immigrants. Tensions have already been high between the two, but their battles appear ready to reach an even higher level of violence.

Before that takes place, though, both gangs end up at a dance. There, a former member of the Jets, Tony (Ansel Elgort), meets Maria (Rachel Zegler), the younger sister of the Sharks leader. While the two fall in love, their relationship only complicates the situation between the two groups.

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REVIEW: ‘Tick, Tick… Boom’ is an enjoyable, touching tribute

The legacy of late composer Jonathan Larson is honored in this new Netflix feature, based on his own autobiographical musical, “Tick, Tick… Boom.”

Andrew Garfield stars as Larson in the movie, directed by Lin-Manuel Miranda. The film has a framing device of Larson of performing “Tick, Tick… Boom” as a one man show, where he tells the story of himself in 1990, struggling to get a new production off the ground.

That production is “Superbia,” and the story Larson tells includes details about how he worked at a small diner, his strained relationships because of his focus on his work and how he grieved for friends he lost to the AIDS epidemic.

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