Adventures in B-Movie Horror 1

The month of October is perfect for scary movies with Halloween as the grand finale. In most cases, it’s a good time revisiting those classics like “Psycho” and “The Shining.”

However, it can also be fun checking out some pure schlock. The best way to do that is with B-movies. Low on budget and often high on cheese, these flicks are often fun to view with friends over a couple beers.

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LAMB Movie of the Month: ‘Host’ review

The coronavirus pandemic hasn’t just changed how we watch movies right now, but how we make movies. “Host,” a film focused on paranormal Zoom meeting, is a prime example.

For their regular virtual get-together, the main character Haley (Haley Bishop) brings together her group of friends for an online seance. Haley, who’s hired the medium for the call, is taking the Zoom meeting seriously, but the rest of her friends see it as just harmless fun.

The call does start off innocently enough, with the friends getting settled. However, at one point, something goes wrong and an evil spirit is invited in. As a result, all of the friends are put in danger.

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REVIEW: ‘Shortcut’ isn’t a satisfying horror genre entry

There’s no need to take a shortcut to the theater for “Shortcut,” because it’s not worth seeing at a cinema.

This thriller follows a group of teenage students riding on a bus in a rural area of the United Kingdom. Unfortunately the audience doesn’t get much background on the group, there are only five students which is odd for a field trip. Regardless, this is our crew of protagonists.

Things take a turn for the worse when the bus has to take a back road and, while stopping to move an obstacle out of the way, a criminal with a revolver comes aboard and holds the driver at gunpoint. That’s not the end of the main characters’ problems, though, as the eerie area they’re driving through also seems to be home to an evil creature.

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REVIEW: ‘Antebellum’ suffers from poor plot execution

There are good ideas and a more than capable cast in “Antebellum,” yet the film as a whole is, unfortunately, a mess.

The picture follows Eden (Janelle Monae), a Black woman who appears at first to be a slave during the 1800s at the height of the Civil War. The plantation she and others appear to be at is surrounded and controlled by a unit of Confederate soldiers.

As the film progresses, more truths are learned about the plantation and additional background is provided about who Eden is. With tensions building, Eden begins considering an escape plan.

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REVIEW: ‘Babysitter’ sequel is a disappointment

The first “Babysitter” certainly left things open for a sequel. Having watched part two, though, one wishes they left it at just one film.

“Killer Queen” starts two years after the first movie, and once again, Cole (Judah Lewis) is the main character. While he survived the deadly encounter from the first picture, though, and gained some confidence in the process, no one really believes him about what happened.

Now a high school student who doesn’t really fit in, Cole is having struggles, especially with no one trusting his word. He gets his chance to win over high school crowds, though, when he attends a lake party. Unfortunately, Cole soon finds out that some of his friends are in the same demonic cult that was featured in the first picture.

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REVIEW: ‘New Mutants’ misses the mark

After nearly two years of delays “The New Mutants” has finally arrived. Unfortunately, it’s hard to say that it’s worth the wait.

The movie begins with a teenager, Danielle (Blu Hunt),  waking up in a hospital-like facility after what seemed to be a monstrous tornado destroyed her town. Danielle soon learns from the single physician at the facility, Dr. Reyes (Alice Braga), that she is a mutant and she’s at an establishment meant to keep other young mutants from the general public and teach them to control their power.

The other mutants include Rahne (Maisie Williams), Illyana (Anya Taylor-Joy), Sam (Charlie Heaton) and Roberto (Henry Zaga). As Danielle starts to settle in, the other mutants began having hallucinations while also getting closer to the truth of what the facility actually is.

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REVIEW: While there’s room for improvement, ‘Relic’ stands as a solid thriller

In most cases it’s good to hold on to items important to one’s family… except when they happen to be haunted or produce evil.

Unfortunately, that’s basically what we have in this picture.

Set in rural Australia, “Relic” tells the story of three women, the eldest Edna (Robyn Nevin), her daughter Kay (Emily Mortimer) and her granddaughter Sam (Bella Heathcote). Edna, now a widow, lives alone in an old house and is getting to the age where it may be appropriate to have her stay at an assisted living facility. This is made apparent when she goes missing and comes back acting strangely.

At first, both Kay and Sam suspect the issue may be dementia, or general cognitive decline. However, as the movie goes on, Edna’s actions, and the house itself, become more sinister.

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REVIEW: ‘You Should Have Left’ squanders potential

There are interesting concepts at play in “You Should Have Left,” but sadly, it doesn’t result in a great film.

Directed and written by David Koepp, “You Should Have Left” stars Kevin Bacon as Theo, a man who is planning to go on vacation with his wife Susanna (Amanda Seyfried) and her daughter Ella (Avery Essex). The vacation home they choose is a rather modern looking one in a rural area of Wales.

At first, it seems like the perfect spot to get away, with the house being spacious and the beautiful countryside out the window. However, as time goes on, details about Theo’s past and current relationship issues cause strain. On top of that, strange things start occurring in the seemingly perfect house.

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REVIEW: ‘Satanic Panic’ is fun but scares are limited

With the closure of movie theaters because of the coronavirus pandemic, I’m taking a look back at movies from 2019.

When I first heard about this title, I had hoped the film would be about the Satanic Panic phenomenon of the 80s that dominated pop culture.

That’s not the case with this flick, but it’s still an alright watch.

Hayley Griffith plays Samantha in this 2019 horror comedy, a young woman just starting out her delivery job for a local pizzeria. With a lot of deliveries taking place in the rain to homes not interested in tipping, though, her first day isn’t going great.

However, she gets an opportunity for a bigger tip when she delivers to a very wealthy neighborhood. The only problem is the neighborhood group she delivers to just happens to be a Satan-worshiping cult that decide to use her as a sacrifice. To survive, she has to team up with the daughter of the cult leader, Judi (Ruby Modine), who’s also become a target.

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REVIEW: Moss, special effects boost ‘Invisible Man’

No Dark Universe, no problem.

After the shared cinematic universe idea for Universal’s famous movie monsters crashed, plans were reworked to have more independent, individual films. The first one up is “The Invisible Man,” written and directed by Leigh Whannell. The movie stars Elisabeth Moss as Cecilia, a woman who just left her abusive boyfriend.

Cecilia is shaken from the relationship and is left with anxiety, fearing that her ex, Adrian, (Oliver Jackson-Cohen) will come after her. However, she soon learns that Adrian has supposedly committed suicide. Just as she begins trying to rebuild her life, though, Cecilia begins to feel stalked and terrorized by an unseen force, which she believes is Adrian.

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