Halloween Adventures in B-Movie Horror 2022 Part 1

It’s the other most wonderful time of the year. Oktoberfest beers, pumpkin spice lattes, leaves changing to beautiful colors, and of course, Halloween.

With the return of the spooky season, I’m going back to the world of B-movie horror and checking out what it has to offer. For this first installment, I’m going with a mix, with a UFO flick and a pair of slashers.

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REVIEW: ‘Smile’ will have horror fans smiling

Here in Minnesota, we know all about misleading smiles. It’s called being passive aggressive. The smiles in this film, though, are much more devilish.

Parker Finn makes his feature directorial debut with this new horror film, with Sosie Bacon playing the protagonist Rose. A doctor in a psychiatric ward, Rose regularly works with patients and it’s what brings her into contact with a troubled woman at the movie’s start.

The woman, a PhD student, says she’s been seeing a sinister figure who takes the form of people with an evil grin, before taking her own life. At first, Rose deduces that the woman must have been suffering from a mental ilness, until the same evil force begins appearing before her, too.

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REVIEW: Getting to know ‘Pearl’ is amusing and frightening

The beginning of Pearl’s path from sweet farm girl to the woman she became in the film “X” is on full, technicolor display in this prequel.

Taking place in 1918, “Pearl” follows the titular character, played by Mia Goth, as she descends into madness. There are a few factors pushing her there, but the main one is her mother, Ruth (Tandi Wright).

Ruth is a domineering woman, never showing compassion to her daughter and instead deriding her for wanting something beyond the farm life. That something is a career in dance, but as time gets closer to an audition that could give Pearl an escape, things begin to happen that awaken a darkness in the character.

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REVIEW: Nobody needs to see ‘Bodies Bodies Bodies’

Not sure I would really classify this movie as a horror film. Although, the thought of watching it again is horrifying.

“Bodies Bodies Bodies” picks up with the character Bee (Maria Bakalova) accompanying her girlfriend Sophie (Amandla Stenberg) to a weekend get together. The event is taking place at the home of David (Pete Davidson), Sophia’s longtime friend.

Sophie’s arrival is a bit awkward, though, as she hasn’t seen David, or her other friends, in quite some time.To help lighten the mood, they decide to play a murder mystery game called “Bodies Bodies Bodies.” However, things take a drastic turn when someone actually ends up dead.

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REVIEW: ‘Crimes of the Future’ is a fascinating sci-fi creation

In the “Crimes of the Future” world, there are two separate, yet equally important groups. The police who investigate crime, and an organ registry office to track human evolution.

These are their stories.

In the future portrayed in this film, humanity has evolved to the point where people no longer experience pain and are immune to infectious diseases. Evolution hasn’t stopped there, though, with some humans having bodies that create additional organs with no function, and others having a digestive system that can dissolve plastic.

Both evolutionary traits have gotten the attention of government agencies. Thanks to a man named Saul (Viggo Mortenson), the former trait has also gotten attention in cultural circles. He has made the removal of these organs into a show, as he allows an audience to watch these surgeries, which are conducted by an artist named Caprice (Lea Seydoux).

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REVIEW: ‘Firestarter’ is a faulty King adaptation

Stephen King is an iconic writer but the adaptations of his work have a tendency to be hit or miss. This new “Firestarter” movie is definitely one of the latter.

Zac Efron and Sydney Lemmon play parents of a daughter with a unique ability in the film. Their child, Charlie (Ryan Kiera Armstrong), has the ability to spontaneously create fire with her mind, although she can’t manage to fully control the power.

While her power is unique, though, her having an ability isn’t, as both her parents are also able to control things with their mind. This has put a target on the family by an organization set on controlling people with special powers. With Charlie’s powers more based on high emotions, it puts her family in a dangerous position, as their cover of being normal residents may be blown.

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REVIEW: New horror ‘X’ delivers mix of old and new thrills

What happens when you cross “It Follows” with “The Texas Chain Saw Massacre?” It’s probably something like this movie, “X.”

Set during the late 70s in rural Texas, “X” follows a group of six characters who’re working on an adult film. To shoot the production, the filmmakers have rented themselves a small cabin on the property of a secluded farmer.

The group gets to work and things start off fine. However, when the property owners learn what kind of work is going on, they take great offense to the actions and the situation escalates to a deadly level.

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REVIEW: Latest ‘Chainsaw Massacre’ is a total mess

This franchise has really only had one good sequel and that one had someone dual-wielding chainsaws. Something this movie, among other things, lacks.

“Texas Chainsaw Massacre” is supposed to be a direct sequel to the 1974 horror classic, ignoring all of the other pictures in the series. The film is set nearly 50 years after the original picture, and picks up with a group of young adults moving to a small, rural Texas town.

There, they plan to invite several other young professionals to revitalize a dilapidated community. Unfortunately, their presence ends up disturbing the fearsome killer Leatherface, who’s been in hiding since the conclusion of the first movie.

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REVIEW: ‘Scream’ doesn’t surpass recent horror counterparts, but still satisfies

Nearly a decade after Wes Craven directed his final “Scream” movie, the late filmmaker’s legacy lives on with a fifth installment for the franchise.

Audiences take a trip back to Woodsboro in “Scream,” set 25 years after the first movie that had the same title. This film starts out much like the original did, with a teenager, Tara (Jenna Ortega), being terrorized by a villainous character in a Ghostface mask.

Unlike the first movie, though, Tara survives and is hospitalized. This captures the attention of not only her sister Sam (Melissa Barrera), but the familiar trio of Sidney (Neve Campbell), Gale (Courteney Cox) and Dewey (David Arquette) as well. These characters converge on Woodsboro with the goal of uncovering who the new Ghostface is as attacks continue.

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REVIEW: ‘Last Night in Soho’ sadly falters after strong start

Soho looks like a pretty fun place to visit in London, but if the main character in this movie is around, things might get a little to intense.

This film, directed and co-written by Edgar Wright, stars Thomasin McKenzie as Eloise. The young woman has recently moved from the country-side to a section of London to earn a degree in fashion. Immediately, Eloise finds herself fed up with her partying dorm roommate and decides to move into an apartment at an older building.

While it seems perfect at first, Eloise soon finds herself having visions of another young woman, named Sandie (Anya Taylor-Joy), who lived in the same apartment and wanted to be a lounge singer during the 1960s. While the visions start off fascinating, they soon unveil a dark mystery from the past.

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