REVIEW: ‘Western Front’ features a heartbreaking perspective of WWI

“All Quiet on the Western Front” is definitely not the easiest watch of 2022, but it is one of the better movies of the year.

Based on the famous novel, “All Quiet on the Western Front” tells the story of Paul (Felix Kammerer), a young man who enlists in the German Army in 1917, a year before World War I ended. He enters the war filled with enthusiasm, driven by messages of nationalism during his enlistment.

That enthusiasm dissipates quickly, though, as Paul is thrust into trench warfare. As the war drags on, Paul sees his friends regularly killed in action while facing constant danger in the muddy trenches.

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REVIEW: While flawed, ‘Till’ is a creditable effort

A horrific moment in America’s history followed by awful injustice is featured in the emotionally charged “Till.”

Danielle Deadwyler portrays Mamie Till-Mobley, whose son Emmett (Jalyn Hall) was killed during a visit to Mississippi in 1955. The movie dramatizes the events that took place in Mississippi where, in a racism-fueled action, Emmett was abducted and murdered in the middle of the night.

It then documents how Mamie showed Emmett’s body to the press, revealing the brutality of the attack and the subsequent trial against the individuals responsible. It also details the overall impact the moment had on the Civil Rights Movement.

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REVIEW: ‘Elvis’ is an exuberant, exhausting experience

Elvis Presley has been portrayed on the large and small screen many times before. However, none of them featured the flair of filmmaker Baz Luhrmann, until now.

The story of Elvis (Austin Butler) in this biopic is told from the perspective of the performer’s infamous manager, Col. Tom Parker (Tom Hanks). The movie begins with Parker on his deathbed and from there, the former manager recounts the events of his time with the singer, from when he discovered him to the performers final days in Las Vegas.

The movie showcases how Elvis’ popularity surged, his inspiration from African American musicians, his controversial stage movements and his attempt at a comeback after some down years. It also features the decline of his health during his time doing several shows in Vegas.

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REVIEW: ‘New Era’ at Downton offers enjoyment, despite shortcomings

I didn’t always know what was going on in the 2019 “Downton Abbey” film since I didn’t watch the series. That was true again here.

However, like its predecessor, it’s still fairly enjoyable.

“New Era” has two main stories unfolding. One revolves around a new film being shot at the Downton estate, where Mary (Michelle Dockery) and Violet (Maggie Smith) are keeping watch of things. While the family is hesitant about the film industry using the building, they allow it as it will provide funding to do needed roof repairs.

Meanwhile, the characters Robert (Hugh Bonneville), Cora (Elizabeth McGovern), Edith (Laura Carmichael), Herbert (Harry Hadden-Patton), Tom (Allen Leech) and Lucy (Tuppence Middleton) travel to southern France to explore a villa Violet inherited. The inheritance was included in the will of a man who Violet met decades ago in her youth.

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REVIEW: Technically sound ‘Tragedy of Macbeth’ too inaccessible at times

I felt like I was drinking a 40 oz in the auditorium, because this film has a whole lot of Olde English.

Based on William Shakespeare’s play Macbeth,” “Tragedy” was written and directed by Joel Coen, with Denzel Washington playing the titular character. The film is a fairly straightforward retelling of the story, with Washington’s Lord Macbeth having a vision of ascending to the throne of Scotland.

That prophecy becomes fulfilled, and as the story goes, Macbeth’s reign turns out to be a difficult one. Soon after he takes the crown, he becomes paranoid and begins taking actions that only lead to more trouble.

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REVIEW: Biopic ‘Being the Ricardos’ drops the Ball

It’s easy to love “I Love Lucy.” But that’s not the case with “Being the Ricardos.”

The film stars Nicole Kidman, who portrays Lucille Ball, the actress well known for the series “I Love Lucy.” The movie picks up during a week of filming the “I Love Lucy” show, where the production has been impacted by some recent news.

Rumors are swirling around Hollywood about Ball possibly being associated with communism during the height of the Red Scare. The film follows how this affects production, and Ball’s marriage to her husband, Desi Arnaz (Javier Bardem).

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REVIEW: ‘House of Gucci’ grabs a viewers’ attention, despite flaws

Al Pacino hasn’t been in a family this intense since the Corleones.

“House of Gucci” follows the famous fashion family from the late 70s until the dynasty fell apart in the mid-90s. The movie’s main focus is on Patrizia (Lady Gaga), a woman who in 1978 met and married one of the Gucci heirs, Maurizio (Adam Driver).

From there, the movie follows how the two maneuvered to gain more power in the family. Their efforts to do so put them in conflict with other members of the family, and eventually, each other.

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REVIEW: ‘Spencer’ is a master class character study

Diana, Princess of Wales, has been portrayed on screen for decades, in everything from TV movies to the critically acclaimed series “The Crown.”

Perhaps no film has featured a portrayal as intimate and powerful as the one in “Spencer,” though.

Kristen Stewart stars as Princess Diana, who’s joining the rest of the British Royal Family in Norfolk at the Sandringham Estate for the holidays in 1991. The film follows Diana closely, from Christmas Eve through Boxing Day, showcasing her strained relationship with the rest of her family, her struggles with mental health and commitment to be a strong parent for her sons.

Where “Spencer” differs from other biopics about Princess Diana and other films about the royals is the hyper-focus. The movie centers nearly exclusively on Diana, and what she has to go through.

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REVIEW: Scott’s ‘Last Duel’ is a dull, callous film

Ridley Scott’s historical epics have been rather disappointing, with 2014’s “Exodus: Gods and Kings” and 2010’s “Robin Hood” missing the mark.

Sadly, Scott’s latest effort, “The Last Duel,” doesn’t get in the win column.

“The Last Duel” is set in France during the 1300s and follows three characters, two of them being the knight Jean de Carrouges (Matt Damon) and the squire Jacques Le Gris (Adam Driver), who served on the battlefield together. The third lead character is Marguerite de Carrouges (Jodie Comer), Jean’s wife.

As fellow warriors on the battlefield, Jean and Jacques not only have respect between each other, but a friendship as well. The friendship begins to strain, though, as Jacques begins enforcing rules set by the local Count Pierre d’Alencon (Ben Affleck), which Jean finds unfair. The situation reaches a boiling point when Marguerite accuses Jacques of rape. As a result, the two warriors are set on a path toward a deadly showdown.

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REVIEW: By the numbers biopic about Tammy Faye salvaged by cast

This biopic starts by showing Tammy Faye’s youth, and she just happened to share the hometown of yours truly.

Before her career as a television evangelist, this film shows Tammy (Jessica Chastain) growing up in the small northern Minnesota town International Falls (Go Broncos). From an early age, Tammy loves the energy and music of the church and it leads her to attending North Central Bible College in Minneapolis.

There, she meets Jim Bakker (Andrew Garfield). The two quickly fall in love and soon get married. Rather than continue the college route, the two decide to be preachers on the road. Their talent soon get them picked up on TV and from there, build their own media empire. Unfortunately, it’s all too good to be true for the Bakkers.

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