REVIEW: ‘French Exit’ is a dramedy failure

Academy Award nominees Michelle Pfeiffer and Lucas Hedges are featured prominently in “French Exit,” yet their presence isn’t enough to rescue this misfire.

In “French Exit,” Pfeiffer plays Frances, a widow¬† and New York socialite who has spent most of the money left behind after the death of her husband. Hedges, meanwhile, plays Malcolm, Frances’ son who is intending to marry his girlfriend, Susan (Imogen Poots).

With her resources dwindling, Frances decides to move to an apartment in France with her son and navigate what she should do next with her life. While the plan throws a wrench in Malcolm’s wedding dreams, he decides to go along with his mother’s move. Upon reaching France, the duo begin meeting several new characters who become involved in their lives.

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REVIEW: ‘Portrait of a Lady on Fire’ burns bright with quality

Like the very paintings featured in this movie, “Portrait of a Lady on Fire” is a true work of art.

Noemie Merlant portrays Marianne in this film, a young woman who arrives in a secluded area of France to work on a portrait for a family. Marianne soon learns that a woman, (played by Valeria Golino and only known as The Countess), her employer, wants a portrait of her daughter Heloise (Adele Haenel), who’s arranged to be married.

Heloise, though, has no interest in going through with the marriage and refuses to pose for a portrait. In an effort to connect with her, Marianne begins to take walks in the scenic coastal areas of France with Heloise and the two begin to connect. From there, the relationship only grows as the two understand each other more and a romance blossoms.

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