Over the course of a thrilling (?) 13-3 victory in the Super Bowl by the New England Patriots over the Los Angeles Rams, movie studios took time during the commercial breaks to push upcoming features. In between action on the field, previews for several films were broadcast over the airwaves.
What a disappointment.
After several decades, the character Mary Poppins has finally returned to the big screen. The new film with the iconic character takes place several years after the original, but follows some of the main characters. The Banks siblings, Jane (Emily Mortimer) and Michael (Ben Whishaw), are now grown and Michael has children of their own.
However, times are tough again for the family, as Michael’s wife has passed away and bills are piling up. In fact, Michael’s financial troubles lead to the possibility of him losing the house. Because of all the difficulties, Poppins (Emily Blunt) arrives again to help get things back on track.
The streak, unfortunately, is over.
For roughly a decade, I gave movies made by Disney’s animation studio very high marks, usually a 4/5 or higher, and regularly included them in my top 10 lists at the end of the year. However, “Ralph Breaks the Internet,” which certainly isn’t bad per se, has ended that consistency, as it’s simply mediocre.
More on that in a moment, but let’s look into what this sequel is all about. Unlike this summer’s “Incredibles 2,” which picked up immediately after the first, “Ralph breaks the Internet” is set in the present time and acknowledges the six years that have passed since the original picture, released in 2012.
“Incredibles 2” lives up to its name. It might not be as incredible as its predecessor, but it still does the trick.
So, this movie doesn’t just start directly after the first film, it begins during the end of the original. The film opens with the Parr family trying to take down the latest villain threat who goes by “the Underminer.” The Incredibles are eventually able to take down the villain’s giant drill machine, but not before it wrecks on much of the city where they live.
As a result of the destruction caused, superheroes are even more looked down upon than before and the family are forced even deeper into hiding. That is until they are approached by a sibling pair, Winston and Evelyn. The brother and sister duo run a mega corporation and decide that it’s time for supers to make a comeback. They opt to make a public campaign with Helen Parr (Holly Hunter) going back into crime fighting and putting on a good public face for supers while Bob (Craig Nelson) stays home and looks after the kids, Dash (Huck Milner), Violet (Sarah Vowell) and Jack-Jack.
Since the final scene of “The Incredibles” previewed more adventures for the Parr family, I’ve been asking, no, begging for a sequel.
After 14 years and in my view unnecessary sequels like “Cars 2,” Disney | Pixar is finally releasing “The Incredibles 2” in June. While I am looking forward to seeing it, though, I do have my reservations.
When it comes to musicals, Pixar has usually left the genre to its counterpart Disney Animation Studios. With its latest endeavor, though, Pixar has taken a page out of the Mouse House’s playbook, creating a musical experience with “Coco.”
Keep in mind, “Coco” isn’t a traditional animated musical. However, it’s a movie very much about music and includes numerous songs.
The movie’s protagonist is Miguel (Anthony Gonzalez), a boy who dreams of becoming a singer and guitarist like his idol, Ernesto de la Cruz (Benjamin Bratt). His family, though, is completely against music and musicians of any sort, finding it to be a curse on their family that began generations ago.
The “Cars” universe has always confused the hell out of me and the latest entry is no exception. Like, why do the cars have doors and handles if there are no people? Why are there faster, more advanced cars? Are they built by other cars or is it cars evolving?
Those questions certainly came up with me from start to finish here, but the real important question is ‘was the movie any good?’
Well, not really, it more falls into the category of being just OK.
The movie once again follows the franchise’s protagonist Lightning McQueen (Owen Wilson). A car who’s won multiple racing championships, McQueen is still competing and remains confident in doing so. However, as he enters his latest race, he finds himself falling behind the younger cars that appear to be far more advanced.
As a result, McQueen is always playing catch-up and this ultimately leads to an accident where he gets severely injured. What follows is McQueen’s quest for redemption and to regain his status as one of the best racers in the world. To do so, McQueen eventually finds help in professional trainer Cruz Ramirez (Cristela Alonzo).
The 1991 animated feature “Beauty and the Beast” was honored with an Academy Awards Best Picture nomination. Disney’s live action version released this weekend, though, will likely not get the same.
The 2016 “Jungle Book” film certainly adds some new bits here and there, but those who have seen the Disney animated movie should find themselves in familiar territory.
As the classic tale goes, “Jungle Book” tells the story of Mowgli (played by Neel Sethi), a young boy living in a vast wooded area who’s been raised by a pack of wolves and a panther named Bagheera (Ben Kingsley).
While Mowgli’s life for much of the film’s introduction is peaceful, his world shakes up when a human-hating tiger, Shere Khan (Idris Elba), threatens him. While trying to escape, Mowgli comes across multiple other animals in the jungle including a bear named Baloo (Bill Murray) and the two form a friendship.
Ronaldo Del Carmen
After a bit of a bumpy path, Pixar seems to have gotten its grove back. Following the below average “Cars 2” and the disappointing “Brave,” the animation studio has come back with the enjoyable “Monsters University” and this year’s solid picture “Inside Out.”
The latest film from Pixar centers on the emotional figures that exist within every person, Joy (Poehler), Sadness (Smith), Fear (Hader), Anger (Black) and Disgust (Kaling). The movie follows the emotions mainly in the mind of Riley (Dias), a young girl whose family is moving from Minnesota to California.