More Saoirse Ronan mystery movies, please.
In director Tom George’s feature film debut, Ronan portrays Constable Stalker, a young officer on the force, who is assisting Inspector Stoppard (Sam Rockewell) on a murder case. The victim in the case is Leo Kopernick (Adrien Brody), a film director who was set to helm the adaptation of Agatha Christie’s “The Mousetrap.”
As it just so happens, there are plenty of suspects who had a dislike for Leo, and the investigators’ case soon becomes an Agatha Christie-like whodunit. The two protagonists have to work quickly, too, as the murderer remains a danger to others involved in the production.
Continue reading “REVIEW: ‘See How They Run’ succeeds on strong humor”
Talk about coming full circle.
After a 16-year break, the Clerks Randal (Jeff Anderson) and Dante (Brian O’Halloran) are back on the screen, right back where we left them. The friends still own the Quick Stop store, while the adjacent video store has become a marijuana dispensary run by Jay (Jason Mewes) and Silent Bob (Kevin Smith).
The opens with the clerks doing their usual antics, until Randal suddenly collapses, which ends up being the result of a heart attack. While he does survive, it leaves him wanting to do something with his life, and he chooses to make a movie about the experiences of working at a convenience store.
Continue reading “REVIEW: Smith’s ‘Clerks III’ has moments, but remains a misfire”
Not sure I would really classify this movie as a horror film. Although, the thought of watching it again is horrifying.
“Bodies Bodies Bodies” picks up with the character Bee (Maria Bakalova) accompanying her girlfriend Sophie (Amandla Stenberg) to a weekend get together. The event is taking place at the home of David (Pete Davidson), Sophia’s longtime friend.
Sophie’s arrival is a bit awkward, though, as she hasn’t seen David, or her other friends, in quite some time.To help lighten the mood, they decide to play a murder mystery game called “Bodies Bodies Bodies.” However, things take a drastic turn when someone actually ends up dead.
Continue reading “REVIEW: Nobody needs to see ‘Bodies Bodies Bodies’”
Stop this train, I want to get off.
Director David Leitch’s “Bullet Train” stars Brad Pitt as an assassin whose code name is Ladybug. The film picks up with him getting on a train with a mission that only includes recovering a brief case that two other men have in their possession.
Those two passengers are also hit men, who simply go by Lemon (Brian Tyree Henry) and Tangerine (Aaron Taylor-Johnson). Ladybug, who constantly notes how he has bad luck in life, ends up learning that there’s much more going on than he first thought and that the mission is increasingly dangerous.
Continue reading “REVIEW: Don’t punch your ticket for ‘Bullet Train’”
This film produces, perhaps, the most second-hand embarassment of any movie out there.
Patton Oswalt’s Chuck in “I Love My Dad” is a father whose relationship with his son Franklin (James Morosini) has broken down over the years. Chuck has missed too many of Franklin’s life events, and it’s fractured goodwill between the two.
It gets to the point where Franklin is so fed up that he shuts down communication between them, blocking Chuck on his cell phone and social media. As a way to still get in contact with Franklin, Chuck decides to make a fake profile of a woman named Becca (Claudia Sulewski). The two are once again talking, but unfortunately, Franklin falls in love with the Becca persona.
Continue reading “REVIEW: ‘I Love My Dad’ is an uncomfortable comedy (in the best way)”
Being a fan of true crime podcasts isn’t a necessity to enjoy this film, but it doesn’t hurt.
B.J. Novak, who wrote and directed “Vengeance,” stars as Ben, a writer at the New Yorker and an aspiring podcaster. One night after a failed pitch for a new podcast, he finds out a woman he had a short fling with died in Texas.
The woman’s brother convinces Ben to come to the Lone Star State not only for the funeral, but to look into her death, as it seemed suspicious. Ben decides to use this as a chance to create a podcast based on the woman’s death, and the concept of vengeance, as the brother is seeking it.
Continue reading “REVIEW: ‘Vengeance’ is an impressive look at true crime podcasting”
No, this isn’t a behind the music look at the song that was drilled into your head during high school dances.
Andrew (Cooper Raiff) has just graduated from Tulane University in “Cha Cha Real Smooth” and is hoping to visit his girlfriend in Barcelona before the end of the summer, but still seems a bit lost. Not long after returning home, he goes to a bar mitzvah with his younger brother David (Evan Assante) and meets Domino (Dakota Johnson) and her daughter Lola (Vanessa Burghardt).
Andrew ends up being a hit at the party, with people liking how he was able to get people out on the dance floor and have fun. He’s then hired as a party starter for other bar mitzvahs. As he continues to work at the bar mitzvah events, he begins to get closer to Domino, gives advice to his brother who has a crush, and connects with Lola, who has autism, all while navigating what’s next in life.
Continue reading “REVIEW: Post college struggles well portrayed in ‘Cha Cha Real Smooth’”
Some sports biopics inspire, others make you laugh, and there are those that do both.
“Phantom of the Open,” unfortunately, isn’t such a film.
The movie tells the true story of Maurice Flitcroft (Mark Rylance) a middle class shipping worker in an English port town. Upon hearing that the company he works for may be downsizing in the years to come, he begins considering what else he can do in life.
After a night of watching golf on TV, he decides to try his luck at the sport, entering the 1976 Open Championship. The only problem is Flitcroft is a complete amateur entering a professional competition. Despite this, he goes forward with support from his family.
Continue reading “REVIEW: ‘The Phantom of the Open’ is a below average biopic”
I didn’t always know what was going on in the 2019 “Downton Abbey” film since I didn’t watch the series. That was true again here.
However, like its predecessor, it’s still fairly enjoyable.
“New Era” has two main stories unfolding. One revolves around a new film being shot at the Downton estate, where Mary (Michelle Dockery) and Violet (Maggie Smith) are keeping watch of things. While the family is hesitant about the film industry using the building, they allow it as it will provide funding to do needed roof repairs.
Meanwhile, the characters Robert (Hugh Bonneville), Cora (Elizabeth McGovern), Edith (Laura Carmichael), Herbert (Harry Hadden-Patton), Tom (Allen Leech) and Lucy (Tuppence Middleton) travel to southern France to explore a villa Violet inherited. The inheritance was included in the will of a man who Violet met decades ago in her youth.
Continue reading “REVIEW: ‘New Era’ at Downton offers enjoyment, despite shortcomings”
Nicolas Cage is uncaged in this film, since he gets to really be himself. Seriously.
Cage plays a fictionalized version of himself in “Massive Talent.” Like the real version, the Cage in the movie hasn’t starred in a major blockbuster in a few years and it’s been tough on the actor.
He gets an opportunity to make some easy cash thanks to a mega fan named Javi, though, which could help get him on sturdier ground. However, it turns out Javi, who hired Cage to attend his birthday party, is actually a person the CIA has been targeting as an arms dealer. The CIA then asks Cage to provide surveillance on the individual.
Continue reading “REVIEW: ‘Unbearable Weight of Massive Talent’ is a Nic Cage triumph”