REVIEW: To its detriment, ‘Black Christmas’ is more concerned with themes than thrills

I wasn’t expecting any other movie this year to give “After” a run for its money as the worst film to be set on a college campus in 2019, but here we are.

This is the second time “Black Christmas” has been remade, with the other coming out in 2006 and the original having been released in the 1970s.

In this film, the main characters are college students and members of a sorority. The leads include Riley (Imogen Poots), Kris (Aleyse Shannon), Marty (Lily Donoghue) and Jesse (Brittany O’Grady). The four are preparing for the Christmas holiday, but Riley is struggling with her life after having been raped by a fraternity member. Making matters worse is the fact that her story wasn’t believed by law enforcement.

Riley’s Christmas season only goes downhill more, when she begins noticing disappearances on campus. Eventually, her and her friends learn that the female students on campus are being killed and they become the next target. As they try to survive, they also unravel what’s really going on and the truth has a connection to the school’s founding.

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REVIEW: ‘Last Christmas’ lags far behind better flicks in the genre

If I wanted to watch a Hallmark holiday movie, I’d just turn on the channel rather than go to the theater. But that’s what “Last Christmas” asks audiences to do.

This latest holiday romance flick, featuring a big helping of George Michael music, stars Emilia Clarke as the protagonist Kate. At the movie’s beginning, Kate isn’t in a very good place, her career as a singer isn’t going anywhere, she’s stuck as a cashier at a job she’s not very fond of, she parties too much and doesn’t have her own place, meaning she’s either staying with her parents or couch-surfing.

This whole situation comes several months after a severe illness and as a result, Kate has become rough around the edges and overall very cynical. Her sour look at the world begins to soften, though, when she meets and gets to know Tom (Henry Golding). Eventually, Tom’s positiveness begins to push Kate in a better direction as their relationship grows.

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