REVIEW: ‘The Glorias’ is scattered but insightful

Julianne Moore was already partly ready for this role, as just a couple years earlier she played another character named Gloria in “Gloria Bell.”

The Gloria in this movie, though, is the real life Gloria Steinem. In this biopic, written and directed by Julie Taymor, the influential women’s rights advocate is played by several actresses, as the film explores multiple periods of Steinem’s life.

The audience gets to see Steinem’s experiences in childhood, her early jobs as a journalist, and later her involvement with ERA passage efforts. Along with insight into her career works, the film dives into many of the relationships Steinem had, from family to friends.

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REVIEW: ‘Bombshell’ has strong acting, but lacks extensive insight

Roger Ailes’ ouster from the media company he built is explored in this drama, but it only scratches the surface.

“Bombshell” tells the story of Ailes’ (John Lithgow) final months at Fox News by taking the perspective of anchors Megyn Kelly (Charlize Theron) and Gretchen Carlson (Nicole Kidman). Additionally, brought into the middle of the situation is a reporter for Fox, Kayla (Margot Robbie) who’s representative of anonymous victims who worked at the company.

Aside from a few flashbacks, the film takes place over the course of the 2016 presidential election, with an emphasis on the Republican Primary. The focus on the primary comes as some at Fox News, such as Kelly, have issues with then candidate Donald Trump. The friction of the primary coincides with the building of a case against Ailes, who was accused by several women of sexual harassment and assault.

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REVIEW: ‘Richard Jewell’ is a strong entry in Eastwood’s filmography

News travels fast, and unfortunately it can lead to mishaps, mistakes and early announcements that are later debunked. That’s exactly what happened in “Richard Jewell,” and an innocent person was forced to deal with the negative results.

The movie follows the story of the title character, played here by Paul Walter Hauser. After some introduction scenes, the movie picks up with Jewell working security for AT&T events at the 1996 Summer Olympics in Atlanta. Jewell aspires to one day have a steady job in law enforcement, so he takes his work very seriously, much more so even than his colleagues in the security business. While he receives some jokes about his commitment to a seemingly safe concert area, his concerns, unfortunately, turn out to be valid.

One night during his shift, he comes across a suspicious backpack that happens to contain an explosive device that had been left there by a terrorist. The film captures the moment the bomb goes off after its discovery and how Jewell was initially seen as a hero for calling it in and reporting it to officers.

Sadly, as history tells us, Jewell was then made a suspect by the Federal Bureau of Investigation, and a media firestorm erupts. In an effort to defend himself, Jewell hires a friend and lawyer from a former job, Watson Bryant (Sam Rockwell) and tries to survive as his life is investigated.

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REVIEW: Strong lead performance doesn’t sustain ‘Harriet’ biopic

The story of Harriet Tubman deserves to be told in an award caliber, fantastic movie. Unfortunately, this isn’t it.

As the title implies, the film follows the adult life of Tubman. Beginning with her time as a slave, the movie introduces the protagonist as Araminta, or Minty as she’s been nicknamed.

After finding out her slave owner won’t free her based on a previous agreement, Araminta opts to leave her current life behind and escape north. Her journey is dangerous and filled with hardship, but eventually, she crosses into the free state of Pennsylvania and finds her way to Philadelphia, where an anti-slavery organization is headquartered.

Upon her arrival, she’s able to choose a new name, and she selects Harriet Tubman. In the ensuing days, Tubman finds employment, a home and a free life. However, knowing that her family and others are still in the slave system of the south, she decides to help them come north. As history tells us, Tubman succeeded and continued her efforts, freeing more slaves from the south. Her work in doing so is shown on screen here.

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REVIEW: Film art legends deliver a powerful American odyssey

Now, we all know Jimmy Hoffa’s body was taken from beneath a stadium into a UFO by aliens, but I suppose it’s worth checking out what this film’s take is on what happened.

“The Irishman” refers to a nickname given to Frank Sheeran, played here by Robert De Niro. At the start of Director Martin Scorsese’s latest feature film, Sheeran is working as a truck driver in Philadelphia, who delivers meat and earns an honest living. However, after some time, he begins making some shipments to a local gangster, and from there he gets involved with mob boss Russell Bufalino (Joe Pesci). Sheeran begins doing jobs for Russell and eventually becomes an enforcer for the crime syndicate.

Eventually, because of the ties between certain organized crime factions and some unions, Frank comes into contact with Jimmy Hoffa (Al Pacino). The powerful Teamsters President takes a liking to Frank and eventually the two start working together. The work he does, though, is deadly and corrupt. As a result Frank’s life never really settles down.

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REVIEW: This ‘Day in the Neighborhood’ is just OK

In back-to-back years, audiences have been treated to two films about the well known children’s television icon Fred Rogers. After watching both, “Won’t You Be my Neighbor” from 2018 is the clear winner.

In the other film of the two, “A Beautiful Day in the Neighborhood,” Matthew Rhys stars as Lloyd Vogel. An Esquire magazine reporter, Vogel carries a reputation as a very thorough journalist, often upsetting sources for his commitment to telling the truth and holding people accountable. The movie picks up with him being assigned a lighter piece, though, as he’s told to write a story about Mr. Rogers (Tom Hanks), and explore why he’s a hero to people.

Considering it’s more of a fluff profile than a hard hitting piece, Vogel isn’t too thrilled with the assignment. Plus his personal life has hit a rough patch as he’s a new parent who still has some anxieties about being a dad, and his relationship with his own father is poor. Meeting Mr. Rogers, though, begins to change him.

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REVIEW: ‘Ford v Ferrari’ has fine tuned performances, but is also formulaic

Ingenuity can be daring sometimes and often requires pushing boundaries. That’s what the main characters in “Ford v Ferrari” must do in this movie, and fortunately the film documenting their work is above average.

Matt Damon stars as Carrol Shelby here, a former race car driver who puts his expertise into designing cars. In an effort to boost sales and to prove Ford can compete with international vehicles, the company drafts him to create a car faster than a Ferrari.

In order to test the car and help point out the flaws, Shelby enlists the help of Ken Miles (Christian Bale), an elite driver who can race with the best of them. The process is made difficult, though, because of corporate interference.

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Monday Movie Report: Rachel Weisz to portray Elizabeth Taylor

Academy Award winner Rachel Weisz will portray another Oscar winner in the movie “A Special Relationship.”

Variety reports Weisz, who has an Oscar and was nominated for another in last year’s “The Favourite,” is set to star in “A Special Relationship.” In the movie, Weisz will portray actress Elizabeth Taylor, with the film focusing on her transition into a political activist.

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REVIEW: ‘Rocketman’ convincingly captures Elton John’s passion

Saturday might be the time of week alright for fighting, but any day is a good day to see “Rocketman.”

As the title and my song referencing lede implies, “Rocketman” is a film about the musician Elton John (Taron Egerton). The film focuses on John’s early success, which also, sadly, coincided with his struggles with addiction.

The picture tells both John’s early career story and the development of his psyche over time through a series of song and dance numbers numbers set to the musician’s music.

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Monday Movie Report: Barry Jenkins to work on Alvin Ailey biopic

Oscar-caliber director Barry Jenkins is working with Fox Searchlight on a new biopic.

According to The Hollywood Reporter, Jenkins, who directed the Academy Award winning “Moonlight,” and followed up that with last year’s “If Beale Street Could Talk” (which made my top 10 list) is now working on a biopic about Alvin Ailey. A choreographer and dancer, Ailey was an influential artist who received Kennedy Center Honors and, posthumously, the Medal of Freedom from President Barack Obama.

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