The concept of zombies existed long before 1968.
The first known film related to zombies was actually released in 1932, which was “White Zombie.” However, the zombies at that time were more related to magic and voodoo and it wasn’t until the late 60s that the modern zombie movie was created.
It was all thanks to George A. Romero (Feb. 4, 1940-July 16, 2017) who came along and thrust the genre in a whole new direction with the film “Night of the Living Dead.” Romero’s indie film, which introduced the concept of a plague that turns people into flesh eating zombies, didn’t just create a new idea for filmmakers to use, though.
Continue reading “Halloween Horror Fest 2017: Honoring George A. Romero”
While every year produces an awards season, there are summer movies that happen to go overlooked during that time period. So, I’ve taken it upon myself over the last few years to give credit to what the summer had to offer.
Continue reading “2017 Summer Movie Awards”
The Academy Award for Best Documentary has five nominees, but the competition has more or less narrowed to two.
The pair of candidates includes “13th” and “O.J.: Made in America.” In both films, race is a central matter that’s deeply explored and well connected to their respective core subjects.
Continue reading “Oscar Docs: A Look At The Front-Runners “13th” And “Made In America””
When the subject of Jack Nicholson’s performance in “The Shining,” many think of the iconic scene of his character saying “Here’s Johnny.”
While it’s an iconic moment, though, it’s just a single part in one of the most thrilling pieces of acting to put to screen.
Similar to how I gave credit to Alfred Hitchcock when I did the write-up on Anthony Perkins’ performance in “Psycho,” I also have to give recognition to Director Stanley Kubrick.
Continue reading “Halloween Horror Fest 2016: Honoring Jack Nicholson’s performance”
Of all the horror/thriller performances I’m looking at this October, Anthony Perkins’ in “Psycho” is arguably the best.
Credit for the 1960 masterpiece also has to obviously go to the brilliant direction of Alfred Hitchcock as well as Janet Leigh who played Marion. However, it’s undeniable that Perkins’ acting was an integral part of making this a film for the ages.
Continue reading “Halloween Horror Fest 2016: Honoring Anthony Perkins’ performance”
Just a warning to start, this post will have spoilers.
Like “The Exorcist,” “Carrie” was a 1970s horror flick that managed to snag some attention from the Oscars, something that’s become rare in today’s award season.
In this case, both lead actresses Piper Laurie and Sissy Spacek were nominated for their performances in the 1976 adaptation of the Stephen King novel. Looking back at the picture, there’s no doubt that both women deserved the nominations.
Continue reading “Halloween Horror Fest 2016: Honoring the performances of Piper Laurie and Sissy Spacek”
Hello movie fans and welcome to the first installment of Halloween Horror Fest, a month long special on Matthew Liedke on Film all about the genre that’s around to create chills and thrills.
For this year’s HHF, I’ll be looking back at horror movie performances and celebrating the best of the best. This will go over what makes them good, memorable and in some cases downright award worthy.
Continue reading “Halloween Horror Fest 2016: Honoring Lugosi and Lee”
Sometimes the summer provides some of the best movie moments of the year, but they often go overlooked during award season. So, to make up for it, I’ve come up with the Summer Movie Awards, giving credit to flicks that come out in the warmest months.
Continue reading “2016 Summer Movie Awards”
After a drive from Bemidji, Minn., through the rain and snow yesterday, I finally arrived in Fargo for the city’s 16th annual Film Festival.
Thursday marked the first time since 2012, during my last semester at Minnesota State University in Moorhead right across the Red River from Fargo, that I had gone to the festival and it was great to be back.
Continue reading “Fargo Film Festival 2016 Highlights”
To say that Director Uwe Boll has had a rocky career would be an understatement. Boll has helmed multiple films, many of which based off video games, and they have been critically panned, often times heavily.
My most memorable experience with Boll’s work was 2005’s “Alone in the Dark” which I watched in the theater, and like his other films, this one was a mess.
Continue reading “Halloween Horror Fest 2015: Uwe Boll’s disaster, ‘Alone in the Dark’”